Status: Closed
This round has closed. It remains open for fills, comments and remixes, but prompts are no longer accepted.
About
"If I loved you less, I might be able to talk about it more."
"What is grief, if not love persevering?"
"You kept me like a secret but I kept you like an oath"
Calling all readers, lovers of poetry and music, screen and stage. Quote collecters and lyric hoarders, unleash your archive. Each prompt must contain a quote - you can combine them, add commentary, link to articles, and more. Steal from a literary classic, or WeVerse drama. Have fun!
Examples
Minghao + Ocean Vuong
The most beautiful part of your body
is where it's headed. & remember,
loneliness is still time spent
with the world.
Ocean Vuong - night sky with exit wounds
Hoshi/Anyone; "Beauty is terror"
Thinking about these two quotes together and the idea of on/off-stage personas:
"Beauty is terror. Whatever we call beautiful we tremble before it. And what could be more terrifying or beautiful, to the Greeks to to our own, than to lose control completely?" - Donna Tartt, the Secret Histories
"I am calm in everyday life but when I put on my in-ear device and step on stage, I can feel the tension and hear the cheers getting louder as the music gets louder. When the staff tells me it's time to step on stage, I feel something boil inside me. I feel it steaming inside and I think I have to give a burst of something, spill what is inside me." - Hoshi in Hit the Road Ep. 04
Any ship; "It's been so many years"
Hello, hello there, is this Martha?
This is old Tom Frost
And I am calling long distance
Don't worry 'bout the cost.
'Cause it's been forty years or more
Now Martha please recall
Meet me out for coffee
Where we'll talk about it all.
Tom Watts - Martha
Rules
- Sign up is not required.
- Fills have a minimum of 400 words for prose, haiku-length for poetry (3 lines), and 400px by 400px for art (memes are also art). Other mediums are fine too!
- There is no maximum cap.
- Tag and provide content warnings at your discretion, but a good guide are the Ao3 four (Graphic Depictions of Violence, Major Character Death, Rape/Non-Con, Underage) and this list of common CWs (cr: SportsFest).
- NSFW/Explicit content should be tagged
- NSFW art should not be visible, please provide a link and a warning. You may crop the artwork and embed a SFW preview.
How it works
Prompting
- Click on [Post a New Comment] at the bottom of this post;
- Change the subject to something interesting;
- Copy+Paste the following HTML into your comment and edit the sections. Feel free to add as much detail as you want!
Filling
- Reply to the original prompt;
- Change the subject to [FILL], you may add a title or stay chaotic;
- Copy+Paste the following HTML into your comment, edit the sections, and add your text.
You may also upload your fill to the AO3 Collection.
Remixing
- Post as a reply to the fill you are remixing, using the same HTML as above;
- Change the subject to [REMIX].
Art/media
- Upload your work to any platform (twitter, imgur, youtube, soundcloud, google maps, etc.)
- Using the same HTML code as above, copy the link into your fill or remix. That's it!
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[FILL] heliotropism
Major Tags: N/A
Additional Tags: generic non-famous AU, ambiguous relationship
Permission to remix: Yes
***
Since Hansol quit smoking, he’s never been sure how to leave the room at parties. He wishes Mingyu had a cat he could follow out into the hallway, but that’s not likely to happen any time soon, so he’s stuck wandering back into the kitchen to refill his drink, which he’s already done a few too many times tonight. He wishes it would take on some kind of softening effect, but instead the alcohol is just throwing some things into too-sharp relief, moments landing too hard and then looping like a scratched record: the explosive burst of Chan’s laughter over the music, Mingyu’s hand on Seungkwan’s knee, Bin’s head on Seungkwan’s shoulder, and Seungkwan’s pleased, flushed face at the center of it all. Everyone turning toward a small sun.
Joshua’s in the kitchen with Jeonghan, talking about whatever it is Joshua and Jeonghan talk about when they’re alone, and he looks a little relieved to have something to distract him when he notices Hansol.
“Drink this,” he says, guiding a glass of water that’s materialized from somewhere into Hansol’s hand. Hansol obeys, though chugging the glass mostly just makes him more aware of how drunk he is.
“You okay?” Joshua asks, eyes crinkling in concern. Hansol considers it. People always tell him he’s hard to read, so if Joshua’s picked up on whatever he thinks he’s picked up on, he must seem pretty miserable.
Which is stupid, because there’s nothing to be miserable about. Just people having a good time, and him running up against the wall, caught in his own head the whole night. He’s spent so much time convinced he can’t be a jealous person — he’s always just let things wash over him. He doesn’t like the possibility that he’s been the possessive type all along and he’s just never had a reason to care enough for it to come out.
But he hasn’t answered Josh. “Everything’s good,” he says, because that’s objectively true: he’s not enough of an asshole to think he deserves Seungkwan’s undivided attention at all times, or that he should be the only one to notice how brilliant and funny and — Well, to notice the things that Seungkwan is. “It’s just kind of,” he shrugs ineloquently.
“The vibes are off?” Joshua asks in English, gently teasing, and he scoffs.
“Bad vibes, sure,” he concedes. “Well, not bad. Could be better. I guess I’m just tired.”
“You’re not the only one,” Jeonghan says, abruptly dropping his polite feigned interest in something on his phone. “I never even wanted to come out tonight, and now Minggoo’s music is giving me a migraine.” Even Hansol’s drunk brain is pretty sure this is one of Jeonghan’s lies—Mingyu’s been playing one of his slow jazz playlists over his expensive new sound system, although maybe that is the kind of music that gives Jeonghan a migraine—but it might be one of his considerate lies. The suspicion is confirmed when he asks, nonchalant, “Want to split a taxi? Your new place is near Sinchon-dong, right?”
Hansol doesn’t like pity, especially pity he doesn’t deserve, even if he’s shamefully grateful for the offer. Jeonghan’s kindness should have stopped seeming unpredictable a while ago, but he’s still taken aback in spite of himself. “Hyung, you don’t have to—” he starts, but Jeonghan cuts in breezily.
“Oh, believe me, I’ve been wanting to go home since I got here, and Joshuji’s been boring me to death—” Joshua subtly fixes his shirt collar with his middle finger. “—And now I’m hearing the vibes are bad. We should get out of here, Hansol-ah.”
Seungkwan catches them in the stairwell, an inexplicable urgency in his face. “Are you going out to smoke?” he demands. In the narrow landing, his voice echoes strangely.
How long has Hansol been this easy to please, delighted just to be able to say that Seungkwan chased after him? “I quit, remember?” he asks. Jeonghan, a few steps down, politely busies himself with his phone again.
Seungkwan pouts, lip jutting out distractingly. “Of course I remember! I just thought you might’ve... un-quit.”
“I appreciate your faith in me,” Hansol says, going for mock-grave but unable to stop himself from smiling. “Nah, I’m just kind of tired and hyung wasn’t feeling great so we decided to head out early.”
“Oh! So you’re not...” Seungkwan glances between him and Jeonghan, something complicated passing his face that Hansol probably couldn’t parse even if he were stone cold sober. He thinks he gets the implication, though, and for some reason feels faintly mortified, even though he’s sure pretty much anyone would be flattered if someone assumed they were going home with Jeonghan in that way. Seungkwan seems to be embarrassed by his own misunderstanding, and quickly calls out, “Hyung! You’re still taking those supplements I gave you?”
“Every day, Kwan-ah,” Jeonghan confirms, sunny, still not looking up from his phone.
As they stand there, ten stairs apart, Hansol can’t shake the feeling that they aren’t so far from — something. If Jeonghan weren’t waiting there pretending to ignore them, or if Hansol hadn’t been so jealous and then been a coward about it... but even sorting through those possibilities, he can’t put a name to what he thinks could be on the other side of it all.
“Well, I’m glad you guys came,” Seungkwan says, as if he were the host, and because he’s Seungkwan he truly does look glad. Hansol wills himself to make this one of the moments that sticks and repeats, Seungkwan’s warm smile and crescent eyes.
“It was good to see you,” he says, which is all wrong, weirdly formal, but he thinks Seungkwan knows what he meant.
Someday, he decides, making it for the first time a promise to himself, he’ll try to put it in all the right words.
Re: [FILL] heliotropism
Re: [FILL] heliotropism
Re: [FILL] heliotropism
Re: [FILL] heliotropism
Re: [FILL] heliotropism
I love it because it writes out a particular moment so well, when there's a bump in Seungkwan and Vernon's relationship and everyone is high-strung and sensitive but outwardly calm. I really felt Vernon's discomfort, especially the specific feeling of not really wanting to be at a party (the vibes are off). It feels a little bit like a liminal space, like you're watching a renaissance painting in motion and everything else is part of the composition and you're just the observer. Hansol wanting to leave (He wishes Mingyu had a cat he could follow out into the hallway), Joshua checking on him in english, Jihan having a conversation in the kitchen, Jeonghan looking at his phone when Seungkwan comes out to chat. Those were small details but it made it feel so real for me.
And then the characterisation shining through ("He doesn’t like the possibility that he’s been the possessive type all along" -- so good. party loud but thoughts louder), and most of all, Jeonghan being empathetic and caring (but the insinuation that something is off for him too and he also wants to go -- if you don't mind sharing I would love to hear any headcanons about "[Jisoo] looks a little relieved to have something to distract him when he notices Hansol"). I smell a backstory.
+++ seungkwan being so nosily concerned about vernon smoking and jeonghan's supplements. but it feels like he's filling space with the latter and with the former... a possessive kind of interaction. like reclaiming their previous dynamic, or enjoying the opportunity to nag again. super interesting. And of course as a triangulation lover I'm obsessed with Seungkwan thinking Vernon is leaving with Jeonghan LIKE THAT and Vernon recognising and being mortified. "something complicated passing his face that Hansol probably couldn’t parse even if he were stone cold sober." SEUNGKWAN I READ YOU!!! (tl;dr so many characterisation points were weaved in subtly and I am in awe)
Thank you so much for writing this and for stopping by 17hols *___* would love to read more from you!!
(Also not the line 'everyone turning towards a small sun' and the title being heliotropism aka sunflower syndrome. brb superimposing metaphors and manifesting verkwan dynamics)
Re: [FILL] heliotropism
(i'm afraid i don't have any specific jihan backstory lore here... jeonghan would genuinely rather be taking a nap at home, so he's being a nuisance. there's probably something else happening beyond that but i wasn't really thinking about it.)
Re: [FILL] heliotropism
Re: [FILL] heliotropism